Hum! Que puis je apprendre du style "Bauhaus"?

Source NY TIMES

The Bauhaus, the German school of art, architecture, and design that was open for a mere fourteen years, closed 76 years ago, introduced the word sleek to our design vocabulary, and changed the way we think about daily-use items from cantilevered chairs (good) to piles of old magazines (bad). The Bauhaus was famously clutter-averse, teaching acolytes to discard the unnecessary, champion the streamlined and the utilitarian, and design always with mass production in mind. Two exhibits opening next week make the school’s continuing impact clear. At the Museum of Modern Art, “Bauhaus 1919–1933: Workshops for Modernity” (opening November 8) is filled with objects and furniture (as well as painting and architecture) as clean, functional, and striking as anything on the market today, by names that still resonate: Walter Gropius, Mies van der Rohe, Marcel Breuer, Josef Albers. Uptown at the Museum of the City of New York, “Eero Saarinen: Shaping the Future” (opening November 10) surveys the career of the Finnish-American architect, who didn’t actually attend the Bauhaus but channeled its principles for a postwar American public. (We have him at least partly to thank for the modular cubicle and the ergonomic office chair.) “The democratization and Everyman aspiration of design shops, from Ikea to Muji, shows the influence of the Bauhaus,” says Barry Bergdoll, chief curator of Architecture and Design at MoMA and co-curator of “Bauhaus.” “They believed that if you combined modern design and practicality and utility, the public would be converted.” As with, say, the iPhone—very Bauhaus

Read more: How the Bauhaus School Is Still Influencing Modern Design -- New York Magazine http://nymag.com/homedesign/features/61726/#ixzz0WUkH5NQ1