LMNY's BLOG

What's next after graduation?? Here is an interesting article helpful for those who just graduated from college and are entering the tough job market... CAREER COUCH Before the Job Interview, Do Your Homework By  EILENE ZIMMERMAN Published: June 1, 2013 http://www.nytimes.com/2013/06/02/jobs/before-the-job-interview-do-your-homework.html

2 of the exhibits, we saw  last Thursday in Chelsea, have just  been reviewed in the NYTimes  Richard Serra  http://www.nytimes.com/2011/10/06/arts/design/richard-serras-sculpture-at-gagosian-gallery-review.html?scp=1&sq=Serra&st=cse Lisa Yuskavage read  http://www.nytimes.com/2011/10/07/arts/design/lisa-yuskavage.html?src=recg AND there is also a great review about DANA SCHUTZ @ the Neuberger with a funky Title : " If the Face had Wheels"  http://www.nytimes.com/2011/10/07/arts/design/dana-schutz-at-neuberger-museum-review.html?scp=1&sq=if%20the%20face%20had%20wheels&st=cse

Dana Schutz: If the Face Had Wheels   “Face Eater” (2004) is in this 10-year survey of the artist's work at the Neuberger Museum of Art ART REVIEW The Fantastic and Grisly, Envisioned By KAREN ROSENBERG Published: October 6, 2011 read more http://www.nytimes.com/2011/10/07/arts/design/dana-schutz-at-neuberger-museum-review.html?_r=2&scp=1&sq=dana%20schutz&st=cse

andy parker spotted this on the guardian.co.uk site and thought you should see it. To see this story with its related links on the guardian.co.uk site, go to http://www.guardian.co.uk/ artanddesign/quiz/2011/sep/14/ edgar-degas-painting-quiz

ART REVIEW | 'ART IN CAMEROON: SCULPTURAL DIALOGUES' Glimpsing Africa Anew in Its Art READ MORE http://www.nytimes.com/2011/06/24/arts/design/art-in-cameroon-at-the-neuberger-museum-review.html?_r=1&emc=eta1 PS BRAVO Marie Therese Brincard !

Your Paintings: The secret artworks ordinary people own By Megan Lane BBC News Magazine http://www.bbc.co.uk/news/magazine-13859830

Going to Chelsea? here are 3 additionnal shows just reviewed in the VIllage Voice online edition: read: Best in Show: Jerry Meyer at Denise Bibro Fine Art Plus: Iva Gueorguieva at Ameringer/McEnery/Yohe and BravinLee Programs A A A Comments (0) By Robert Shuster Wednesday, May 4 2011 Combining Borscht Belt gags and Woody Allen –ish angst over sex and death, Jerry Meyer has assembled an arcade of wit and quirky nostalgia. Wall-mounted light boxes—bright with Pop colors and filled with images, objects, and joking text—beckon your attention like those old Coney Island machines that assessed your personality for a dime. Courtesy Denise Bibro Fine Art Discs jockeyed: Jerry Meyer's Smash-ola , 2011 Details Jerry Meyer: ‘Civilization and Its Discontents’ Denise Bibro Fine Art 529 West 20th Street 212-647-7030, denisebibrofineart.com Through May 28 Related Content Siren Festival: The Missed Connections July 19, 2010 Barbara Long Gets a Crotch-Full From Joe Namath July 23, 2010 Campo ...

Read the article in the NEW YORK TIMES... London Auctions Highlight Insatiable Appetite for Contemporary Art ............The great success story of the day was Martial Raysse. The French artist, born in 1936, was painting in his youth portraits that are as ultrasimplified as New York school Pop Art images but differ markedly in feeling with their expressionistic handling in abruptly contrasted colors. “L’année dernière à Capri (titre exotique)” (Last Year in Capri (exotic title), portraying a young woman, could have been done as a poster. A discreet touch of Surrealism sets the portrait further apart from Pop Art. Its owner, who acquired the Raysse in 1975, was selling it for the benefit of a charitable foundation. Perhaps stirred by such prolonged faithfulness to the artist on the vendor’s part, bidders went berserk. They sent the Raysse shooting to £4.07 million. This set a world auction record not just for Raysse, but for any living French artist......... READ THE WHOLE ARTICLE :htt...

California Dreamin’...By Phyllis Tuchman June 9, 2010 12:33 a.m. The embryonic counterculture of the late 1950s and early 1960s gets short shrift in art history textbooks, which usually leap from Abstract Expressionism to Pop and Minimalism with barely a nod to the radical, imaginative innovators in between. Two solo shows at major Chelsea galleries right now fill in the blanks. At first glance, Mark di Suvero's soaring, 24-foot-high sculpture Nova Albion and Edward Kienholz's intricate, trailer-size Roxy's couldn't seem more dissimilar. But both Mr. di Suvero and Kienholz were Californians in their early 30s when they created the masterworks in these solo shows, both used scavenged and recycled materials-and both here mostly display the ingenuity and inventiveness that are hallmarks of the finest American sculptors. Kienholz made art about sex in the backseat of jalopies, about state mental hospitals, about bordellos. In 1965, Mr. di Suvero worked on the beach ...

France Amerique publie cet interview Alain Jacquet Le défunt « French pop artist » vu par sa femme Sophie Matisse