Arbus, Frank, Penn: Masterworks of Post-War American Photographycomprises thirty-six vintage gelatin silver prints by three of America's leading photographers working in the 1950s and 1960s. The selection of works by Diane Arbus date from 1961 to 1970 and include many of her most celebrated portraits: Identical Twins, Roselle, N.J.; Boy in a Straw Hat Waiting to March in Pro-War Parade, N.Y.C.; and Boy with a Toy Hand Grenade in Central Park, N.Y.C. Irving Penn's photographs date from 1948 to 1951, and cover his three most important series from those years: the “Small Trades,” the “Big Nudes,” and the confrontational portraits of the mountain-top inhabitants of Cuzco, Peru. The Robert Franks photos date from 1953 to 1958 and feature some of the key works reproduced in The Americans, arguably the most influential photography book of the past century. Together, these works capture the incipient fissures of Eisenhower-era America across racial, generational, urban/rural, fault lines that were to explode in the decade to follow.
Exhibition organized by art2art Circulating Exhibitions.
ElleaimeNY's Blog is the result of the homework Laurence Neron-Bancel does to schedule her visits in cities around the world and during international artfairs, get inspiration for her collages; keep records of artists; an incomplete and arbitrary guide of events in and around Westchester, New York and elsewhere. It is less public than facebook and used as tool for LMCollage and LM Studio, the New artist's residency program just recently launched in Hyeres France If there's an event you'd like considered for inclusion, send your announcement to Laurenceneronbancel@gmail.com
There is no such thing as good painting about nothing.+ I’m not an abstractionist. I’m not interested in the relationship of color or form or anything else. I’m interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.Mark ROTHKO